Thinking about all that you have touched.

How much does one life play against another? How has Evelyn influenced those that have been in her life?  It is very interesting to think about. I sculpt her hands and think of her children's hands that held hers, the work that she did, the things she learned. Did she like to get her hands dirty, work in the garden?  How about holding the hands of her grandchildren.

I'm noticing her hands, they are as much a part of her personality as her face is.  They seem strong, not necessarily slender and delicate.  They remind me more of my own.

As I work on Evelyn's hands and look at her nails I am reminded I have gone back to wearing nail polish, not as an influence of Evelyn, but due to the fact that I am working so often in the clay it is almost impossible to get all of the dark brown clay out from under my nails.

Evelyn's shirt is complete. I like it, her waist band on her skirt is complete. I want to move to the sweater, but first I must place her hands, place them on her hips in this wonderful pose.

__________________________

This is the blog about the creation of the Evelyn Rubenstein sculpture  for the Evelyn Rubenstein Jewish Community Center in Houston Texas.  To see more of the artist work, visit her Creative Sculpture website and Blog 

Coming together

Pieces coming together.

The sculpture has been coming together.  I have put the legs on with my sculpted high heels. I was afraid they would get splattered with clay and foundry wax and so I have given Evelyn some tinfoil slippers. The skirt was shortened, and this means some work will need to be done with the legs, but I have decided to work from the top down.  The entire sculpture is covered with foundry wax and then with clay.  A former student who has come to learn mold making helps me by covering the rest of the sculpture with clay.  When I see the skirt and most of the sweater covered with a thin layer of clay the sculpture becomes more intimate to me. I have only worked on the detail of the blouse adding depth and clay. The foam armature, though very helpful still needs adjusting and I often cut into it, put wax upon the foam opening and then more clay.

The clay coated sculpture feels more friendly.

Details of blouse

__________________________

This is the blog about the creation of the Evelyn Rubenstein sculpture  for the Evelyn Rubenstein Jewish Community Center in Houston Texas.  To see more of the artist work, visit her Creative Sculpture website and Blog 

Putting my best foot forward.

I guess I'm starting from the ground up.  Or putting my best foot forward.  I had the foam legs and feet with heels on and thought it might be good to start here. I found a pair of my own high heels as reference and have been sculpting for the last few days.  It is funny to have the feet almost done and the rest of the body has not been started.

There are other motives for sculpting the  the feet off of the main body of the sculpture.  I have worked on them for about 2 days and it is much easier having them on a table than to be scrunched down on the floor.

working on feet that are detached 

Now that they are done I have wrapped them in saran wrap to prevent any foam from getting on them when I put the entire piece together.  I have created a pipe armature that will enter Evelyn's back.  This way the weight of the sculpture does not have to set entirely on the foam legs and ankles.  It would be great if there was a pipe going through her leg and heel, but I'm not sure that can work.  I can't wait to put the foam pieces together and see her as a whole.  First, to hem that skirt a bit.

__________________________

This is the blog about the creation of the Evelyn Rubenstein sculpture  for the Evelyn Rubenstein Jewish Community Center in Houston Texas.  To see more of the artist work, visit her Creative Sculpture website and Blog 

Photographs of the milling of Evelyn

Synappsys Digital Services sent me photographs of the milling of Evelyn. I'm including them here so others can see. 

__________________________

This is the blog about the creation of the Evelyn Rubenstein sculpture  for the Evelyn Rubenstein Jewish Community Center in Houston Texas.  To see more of the artist work, visit her Creative Sculpture website and Blog 

Sculpting foam-getting connected with a sculpture

Carving depth into the foam 

armature. 

I am so excited to have my foam pieces created by Synappsys Digital Services so that it will expedite my process of creating the sculpture of Evelyn Rubenstein for the Evelyn Rubenstein Jewish Community Center.  There is still some work to do on the foam before I can cover it with clay. I can revise the piece and create deeper cuts into the sculpture.  This give the sculpture depth.  I love the sweater that Evelyn is wearing in this piece and I can hardly wait to put the texture into it in the end, but that is a long way off.

Covering foam pieces with hot foundry wax.

My foam has been put together and now I must carve and sand. Carving is easy as the foam is like butter.  However,  this is a dirty job requiring masks and a nearby shop vac, but it is not nearly as bad as the carving process of the 11 foot panther for Prairie View A & M.  This is an intimate time with the piece, I can feel more connected.  

Once I feel that I have carved or sanded a piece as much as necessary I cover the foam pieces with hot foundry wax.  This is so that the grit of the foam does not get into my clay. I'm amazed at what a tactile person I am, having grit in my clay makes me a rather irritated sculptor.  My sense of touch is disrupted.  Therefore the wax coating, and continuous vacuuming is necessary.

__________________________

This is the blog about the creation of the Evelyn Rubenstein sculpture  for the Evelyn Rubenstein Jewish Community Center in Houston Texas.  To see more of the artist work, visit her Creative Sculpture website and Blog