I'm working on the few waxes that are here and I expect to receive a call from the foundry that the others are ready. If I am lucky then by the end of the week the foundry will have all of the waxes and they will begin the pouring process of Evelyn. It is so exciting. For the time being, in between working on waxes, I'm resting my hands and preparing for a meeting when I bring back the photograph of Evelyn.
Oh yes, it took us two days to get the studio cleaned up and it is ready for the next project.
Sculptor Bridgette Mongeon has been asked to create a life-size sculpture of Evelyn Rubenstein that will be placed in the Evelyn Rubenstein Jewish Community Center- Houston. This blog is to document the artist’s process and to receive comments about Evelyn that help the artist to capture the essence of her subject. If you knew Evelyn and can share, please either post here or contact the artist personally.
Monday, May 21, 2012
The next step- waxes
Once all of the molds are at the foundry, they pour waxes. For every mold there will be a hollow think wax created. Because I finished the arms, head and base these are sent back to me first. What do I do with these? The wax stage is one more opportunity to add detail, and clean things up. Remember the rubber molds were in to parts and so there is also the cleaning of seams. Once I feel I have all of the pieces clean and that they go together correctly, we will start our process of bronze casting.
The wax arm showing the ring still sitting in the mold. |
This is the base that Evelyn Sits on. I have signed the bottom. Evelyn will be welded to this base. The base will then be secured to the floor of the Evelyn Rubenstein Jewish Community Center. |
The wax head of Evelyn. Still showing the pour cup. |
Mold making
Sculpture is cut apart in many pieces. I like that I can work on the area under the skirt. |
clay is used as a pour cup on the arm. |
1. Cutting up- This was already mentioned in an earlier post
2. Claying up- In this part of the process the mold is divided into two halves with clay seams. Pour cups are also added to the mold- This offers a place for the foundry to pour the wax.
3. Painting Rubber- Once the pieces are cut, cleaned and clayed up the rubber is painted on both halves of the sculpture. Four plus coats are used on each piece. It takes about an hour for the rubber to dry in between coats.
4. Mother mold- the mother mold is called that because it is placed on top of the rubber mold and holds the rubber in place. Without it, when someone tried to pour wax into the mold the mold would be miss shapen. Creating the mother mold is hard work. A very stiff plaster/cement is mixed for each half. I mix my plaster by hand. It takes about 40 minutes for each half of the mother mold. Everyone of the molds that I made had at least 2 mother molds- front and back. The chest had three because it was so large.
The legs and two parts of the skirt sit drying after the many coats of rubber. |
After the rubber is dry, Evelyn's head must have a mother mold of plaster a This is a two part process and very, ver messy. Good weather means I can make the mess outside. |
Once the mold is complete the clay is taken out of the rubber and the mold is cleaned. |
The other mold and clay mold of the arm cleaned and ready to be sent to the foundry . |
Monday, May 14, 2012
How do I stay focused while in the studio?
Thought I would share this little tidbit. I stay focused by....
Listening to audio books. I'm pretty much addicted to audio books and have a regular relationship with my library.
I also have the company of a very faithful, yet somewhat stinky old dog. And when I need a break I head outside my door and hang out watching the turtles at my pond.
I love audio books. |
My stinky old dog |
The pond is a place to go to stretch my bones and watch nature for a moment. |
Saturday, May 12, 2012
Now for the next part of the process- Mold making
The sculpture is divided into 8 pieces. |
1. left arm
2. right arm
3. toros
4. head
5. two parts of skirt
6. left leg
7. right leg
8. base
Adding detail and making things as clean as possible is the result of cutting things apart and being able to look at all sides without standing on your head. |
Pieces of Evelyn are everywhere |
Friday, May 11, 2012
The changes that were made
The work station |
Adding movement to the legs |
Thursday, May 10, 2012
Client Approval
Clients kick back while taking in Evelyn |
It is at this point when we are pushing the creative process to the very limit. I love co-create with my client.
The interesting thing about this creative approval is that the client brought the photograph that you see on the right of this page, but it was a bigger version. Why would this matter? Well there was so much more visual information on the larger photograph. Good photographs cannot be overemphasized when trying to create.
Subscribe to:
Posts (Atom)